What's New on Netflix now has MORE REGIONS
BIOGRAPHY:
Netflix Poland
The Stanford Prison Experiment (2015)
This film is based on the actual events that took place in 1971 when Stanford professor Dr. Philip Zimbardo created what became one of the most shocking and famous social experiments of all time.
Jarhead (2005)
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Elizabeth (1998)
The story of the ascension to the throne and the early reign of Queen Elizabeth the First, the endless attempts by her council to marry her off, the Catholic hatred of her and her romance with Lord Robert Dudley.
Cleveland Abduction (2015)
A single mother becomes Ariel Castro's first kidnapping victim, and finds herself trapped in his home with two other women for 11 years.
The End of the Tour (2015)
The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'
For Life (2020)
A prisoner becomes a lawyer, litigating cases for other inmates while fighting to overturn his own life sentence for a crime he didn’t commit.
Elvis Presley: The Searcher (2018)
The story of Elvis Presley the musical artist, a comprehensive creative journey from his childhood through the final 1976 Jungle Room recording sessions.
The Defiant Ones (2017)
A four-part documentary series that tells the stories of Jimmy Iovine and Dr. Dre -- one the son of a Brooklyn longshoreman, the other straight out of Compton - -- and their improbable partnership and surprising leading roles in a series of transformative events in contemporary culture.
American Crime Story (2016)
An anthology series centered around some of history's most famous criminal investigations.
Nasha Natasha (2020)
International pop star Natalia Oreiro returns to western Europe for a non-stop concert tour through seventeen cities around the former USSR, traveling in the Orient Express. In this first person journey, Natalia also explores her personal and intimate life that started in a blue-collar neighborhood in Montevideo, Uruguay, and went into becoming a world-wide star and a Russian icon.
A Call to Spy (2020)
The story of Vera Atkins, a crafty spy recruiter, and two of the first women she selects for Churchill's "secret army": Virginia Hall, a daring American undaunted by a disability and Noor Inayat Khan, a pacifist. These civilian women form an unlikely sisterhood while entangled in dangerous missions to turn the tide of the war.
Curtiz (2018)
As America prepares to enter WW2, Hungarian film director Michael Curtiz grapples with political intervention and a dysfunctional relationship with his estranged daughter amid the troubled production of Casablanca in 1942.
The Kill Team (2019)
When Andrew Briggman—a young soldier in the US invasion of Afghanistan—witnesses other recruits killing innocent civilians under the direction of a sadistic Sergeant, he considers reporting them to higher-ups. However, the heavily-armed and increasingly-violent platoon becomes suspicious that someone in their ranks has turned on them, and Andrew begins to fear that he'll be the next target.
Antoine Griezmann: The Making of a Legend (2019)
With heart and determination, Antoine Griezmann overcame his small stature to become one of the world's top soccer players and a World Cup champion.
Mr. Jones (2019)
In 1933, Welsh journalist Gareth Jones travels to Ukraine, where he experiences the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin—the policy is tantamount to mass murder.
The Girl in the Bathtub (2018)
Julia Law, a young paralegal struggling with issues of addiction, was found dead in her boss’s bathtub in Philadelphia just shy of her 27th birthday. Her boss, a prominent Philadelphia lawyer whom she had recently begun dating, was interviewed by authorities as they investigated Julia’s death. But it is soon revealed her boss was just one of three lovers Julia had—raising questions about whether any of them may have had a motive to kill her. So the question remains - who killed Julia Law?
Marianne & Leonard: Words of Love (2019)
A story of enduring love between Leonard Cohen and his Norwegian muse, Marianne Ihlen. The film follows their relationship from their early days in Greece, a time of "free love" and open marriage, to how their love evolved when Leonard became a successful musician.
Believe Me: The Abduction of Lisa McVey (2018)
On the night she plans on taking her own life, 17-year-old 'Lisa McVey' is kidnapped and finds herself fighting to stay alive and manages to be a victim of rape. She manages to talk her attacker into releasing her, but when she returns home, no one believes her story except for one detective, who suspects she was abducted by a serial killer. Based on horrifying true events.
A Beautiful Day in the Neighborhood (2019)
An award-winning cynical journalist, Lloyd Vogel, begrudgingly accepts an assignment to write an Esquire profile piece on the beloved television icon Fred Rogers. After his encounter with Rogers, Vogel's perspective on life is transformed.
Milada (2017)
The story of communist show-trial victim Milada Horáková. Horáková was one of the first victims of the communist regime in Czechoslovakia. She opposed the communist coup in 1948 but did not leave the country. She was arrested and tried for treason on fabricated charges in a show trial that was broadcast on the radio and shown in film clips. The film focuses on the time from 1945 to 1950 when the communists took over, but also goes back a little further in Horáková's life into the late 1930s